In exactly seventy-five minutes, and (exactly!) six months from now, I will start my seventh decade of life, and I'll be doing what septuagenarians do, which is something like what we did tonight, which turned out to be yet again a fantastic evening at theJersey Shore Arts Center in Ocean Grove New Jersey.
Tonight we joined the Geritol set, with the grey hair and sagging boobs(but that's enough TMI about my husband) as their walkers and canes braved the creaky floors in the old, historical auditorium of the former Neptune High School. We were there for improv comedy just a few weeks ago, because at our age, we have to think outside the box and see something other than popcorn movies on date night, mostly because we can't digest popcorn anymore.
The auditorium was as old as the audience who put their aging butts in the seats, with that pleasantly musty smell of your grandmother's basement, summer camp, and what I imagine the staterooms smelled like for third class passengers on the Titanic.
We kind of assessed what the crowd would be like over a delicious New Orleans style dinner at a popular restaurant across from the theater, simply because the title of the show was "The Golden Age of Broadway."
Jim observed: "No matter how great the performers are tonight, they're not getting a standing ovation because..well..who's going to actually stand?"
Once we were actually inside the building, observing the eerie clown paintings that decked the corridors, the snark continued as he whispered to me, "Wanna bet the EMTs are going to be called in before intermission? I'm thinking it'll be for something from "Oklahoma!" which made me snap back, "Yep..I'm putting money on "Poor Judd Is Dead"
But despite all our not particularly warranted sarcasm, which in reality is closeted self-deprecation since we're part of the Medicare crowd ourselves, the show, "The Golden Age of Broadway" starring Dakota and Elle, was in a word..magnificent.
Don't bother googling Dakota and Elle..you'll just be directed to acting's Fanning sisters, but trust me when I tell you this singing duo were just remarkable.
They did twenty five songs from Broadway hits from the forties through the sixties..all songs we knew. All songs we recognized. (I was a little fuzzy on Elle's aria from "Candide" until I recognized the bridge as the theme song from "The Dick Cavett Show" and it brought me back to all the sex dreams I had with my intellectual crush as a high school junior)
Jim thought of his parents..putting in storm windows while listening to all the great songs from "Carousel" and "Brigadoon." I thought of my parents too..well, my mom, mostly, who instilled the same love of Broadway and snark in me that Randy Rainbow's mom obviously did for him.
My Dad didn't care for Broadway unless Rodgers and Hammerstein were secretly auditioning for the Philadelphia Eagles.
They refer to themselves as New Jersey's favorite tenor and soprano(and I could picture David Chase disrupting the performance, insisting that she, Elle, was NOT New Jersey's MOST famous "Soprano") and they were phenomenal, with former Disney Princess Star Elle channeling Chenoweth, and Dakota bringing back Robert Goulet.
We smiled, we teared up, we nudged each other, predicting what song we think would be next up once the name of the musical was revealed.
These songs have always meant so much to me personally..whether it was hearing Sondheim on the old record player while playing Scrabble with my Mom, or exposing our now thirty year old son to "Broadway Kids" songs during all those long car rides to Maine when he was little.
I thought about all the parodies I've written singing telegrams to for decades: of summer camp, where Joyce Stein would choreograph all those female Tevyes and Jewish Maria Von Trapps into star-caliber performances.
Tonight's show reminded me of schlepping on buses in the rain to borrow cast albums from my friend's parents' vast collection, as Jim and I sat with a tape recorder(the only available device in 1989) to find the perfect song to match the perfect photo for the slide show we presented to his parents for their fiftieth wedding anniversary. There wasn't a dry eye in the house at that party..where so many in attendance had family ties to real Broadway stars, like Isabel Bigley (Sara Brown from "Guys and Dolls") and Jonathan Freeman (Mr. Bratt from "How to Succeed in Business Without Really Trying" plus his Tony-nominated performance as the waiter in "She Loves Me", revived on Broadway in 1994)
Dakota and Elle charmed us with their vocal talents, wonderful costumes, and wicked senses of humor. (Alas, no songs from "Wicked" were performed..The Green and Pink movie is not part of the Golden Age on the Great White Way) But their stories were indeed colorful.
They shared a lot of personal stories and anecdotes that had the audiences in stitches..which, to be fair, might have been the gall bladder surgeries that a majority of them had just a few weeks before venturing out tonight..
Geriatric jokes aside, this was a fabulous way to spend date night and I suggest you catch the act next time they're in town.
Tickets are reasonably priced and you'll walk to your car singing..and convinced you've been reincarnated as a gay man.
And when Jim and I reminisce about this evening fifteen years from now, we'll look at each other with blank faces, and I'll say.."Try to remember that time.. in September.."
He'll snap his fingers and say: "It was in July..and it was FANTASTIK!"